The 2018 miniature painting series.

Adam Donaldson Powell

18 abstract studies, in miniature — Feigning indifference in a crazy and brutal world.

MINIATURE PAINTINGS: 

The year 2018 began with several miniature paintings that make up a series entitled: 18 études abstraites en miniature — Feindre l’indifférence dans un monde fou et brutal. (18 abstract studies, in miniature — Feigning indifference in a crazy and brutal world.). These works take a glance at “the elephant in the room”, i.e. big social awareness and other questions and issues that many of us give little space to (that we prefer to keep in miniature format). Many of these works are shamelessly within the genre «UGLY ART»

I wish this online exhibition to be more entertaining than merely looking at my paintings, without any other contextual material. Therefore I have included some illustrative materials that have either inspired me or which create additional commentary. These are in the forms of photos, poems, essays, and videos — both built in and linked. Enjoy!

— Adam Donaldson Powell, 2018

18 abstract studies, in miniature — Feigning indifference in a crazy and brutal world.

“Endless Winter/Climate change”, 15×15 cm., oil on canvas, 2018. This painting is part of a series of miniature abstract oil paintings made in 2018 — this series is about feigning indifference in a crazy and brutal world.

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“Spleen – love dissolving”, 20×20 cm., oil on canvas, 2018. This painting is part of a series of miniature abstract oil paintings made in 2018 — this series is about feigning indifference in a crazy and brutal world.

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“Roses and a teardrop for Las Ramblas”, 15×15 cm, oil on canvas, 2018. This miniature abstract painting was inspired by the terror attack upon the people at Las Ramblas in Barcelona. It depicts a rose-floral wallpaper-like background with a line/queue that is broken — interrupted by a single teardrop. This painting is part of a series of miniature abstract oil paintings made in 2018 — this series is about feigning indifference in a crazy and brutal world.

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“Trou de la gloire/Gaufres bleues; Oui, l’amour est bleu … et la véritable gloire est un trou dans un mur qui s’effrité, («Gloryhole/Blue waffles; Yes, love is blue … and real glory is a hole in a crumbling wall»)”, 15×15 cm., oil on canvas, 2018. I accidentally stumbled over photos of “blue waffles” on the Internet. They were so disgusting and glorious that I had to challenge myself to interpret the magnificent phenomenon. This painting is part of a series of miniature abstract oil paintings made in 2018 — this series is about feigning indifference in a crazy and brutal world.

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“Ghosts no. 1 — Climate change sucks the life out of Spring”, 15×15 cm., oil on canvas, 2018. This painting is part of a series of miniature abstract oil paintings made in 2018 — this series is about feigning indifference in a crazy and brutal world.

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“Ghosts no. 2 — Climate change sucks the life out of Spring”, 15×15 cm., oil on canvas, 2018. This painting is part of a series of miniature abstract oil paintings made in 2018 — this series is about feigning indifference in a crazy and brutal world.

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“Love between vampires: Yeah, Baby — let’s tear off a piece! (L’amour entre les vampires: Viens m’enculer!)”, 15×15 cm, oil on canvas, 2018. Whether our needs for giving and receiving love bring out the vampire or the angel in us, it is all an expression of our evolving humanity. This painting is part of a series of miniature abstract oil paintings made in 2018 — this series is about feigning indifference in a crazy and brutal world.

Read my poem about love between vampires HERE!

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“Niqab — of love and fetish in an age of terror”, 15×15 cm, oil on canvas, 2018. Keywords: niqab, AK47, roses, blood, hidden passion, discomforting eyes, risks, fetish, love, 15×15 cm, oil on canvas, 2018. This painting is part of a series of miniature abstract oil paintings made in 2018 — this series is about feigning indifference in a crazy and brutal world.

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“Pissing on our parade”, 15×15 cm, oil on canvas, 2018. “Pissing on our parade”, is a commentary on gay violence — i.e. violence, murder and terror committed both by and against gays. LGBTQ-persons are “people”, and prone to the same problems and personality issues as all others in society. However, whenever an LGBTQ-person commits an act of terror (Orlando), sexual violence and harassment (by the way, these harassments are seldom investigated as #metoo, or even hate crimes), murder plus cannibalism, or other acts that feel like a violation of what many consider to be basic humane and civilised values, it feels as embarrassing to me as a gay person as muslims must feel when yet another act of hate-inspired terrorism is committed in the name of Islam. It is also embarrassing to me as a human and as a soul in active incarnation. These individuals — regardless of whether they are disturbed, or just hateful — are pissing on our parade. Keywords: pissing, parade, #stopthebleeding, wounded hearts, rainbow, #stopthehate. This painting is part of a series of miniature abstract oil paintings made in 2018 — this series is about feigning indifference in a crazy and brutal world.

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“Silence.”, 15×15 cm, oil on canvas, 2018. “Silence.” is about the news and important information that we do not receive, or that is kept hidden from us by politicians, corporations, scientists and the mainstream media. It is also about what most of us are thinking but do not talk about due to social controls on thoughts, speech and actions. Silence should be a beautiful thing — a reprieve from the noise of everyday life and stress … but sometimes the silence is something to be feared. When we fear it, silence is the new noise. This painting is part of a series of miniature abstract oil paintings made in 2018 — this series is about feigning indifference in a crazy and brutal world.

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“White Noise.”, 15×15 cm, oil on canvas, 2018. “White Noise” is about the constant chatter of mainstream media — spitting out and vomiting the same news stories ad nauseum; in all newspapers, radio and television stations, on the internet … all over the world, 24 hours a day. The noise keeps us company when we are alone and trying to escape the silence of loneliness … and we eventually neither listen to nor hear the warnings, worries and hatred broadcasted and echoed from high and low. The noise is our new silence. This painting is part of a series of miniature abstract oil paintings made in 2018 — this series is about feigning indifference in a crazy and brutal world.

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“Broken Hallelujah in the Landscape of Life.”, 15×15 cm, oil on canvas, 2018. “Broken Hallelujah in the Landscape of Life” interprets the crevices, rips, tears and shattering we all experience, expected or not; i.e. those moments and periods where our hopes and dreams, infatuations, marriages, friendships, ways of perceiving the world and other people etc. fall apart, unravel and demand re-adjustment — with new vision. Although often quite painful, these adjustments provide us with opportunities to re-invent and re-define ourselves. The choice is ours: to suffer for an indeterminate period of time … or to climb down from the cross and explore “the new”, seeking balance — with a positive sense of moderation.“Ariston metron!” (“Moderation is best!). This painting is part of a series of miniature abstract oil paintings made in 2018 — this series is about feigning indifference in a crazy and brutal world.

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“#metoo: Men’s room — the writing on the players’ wailing wall”, 15×15 cm, oil on canvas, 2018. This graffiti painting reveals the angry and dissatisfied murmurings of some men on social media and (as here) on a men’s room wall. It is generally considered to be politically incorrect for men to voice concern over matriarchal feminism and the #metoo movement, and the fear of loss of basic rights for men. When these voices are restricted to hidden enclaves and not allowed to be measured and discussed openly then the ensuing negative consequences can be devastating. The frustrated graffiti text includes: matriarchy; man-haters; Fuck #metoo; Fuck no sex; men prefer 1) whores, 2) men, 3) sex dolls; custody rights; lonely; feminazi; dutch treat etc. This painting is part of a series of miniature abstract oil paintings made in 2018 — this series is about feigning indifference in a crazy and brutal world.
Toalett på kampen nr. 2

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“Weather forecast — Warning, High Probability of Nuclear Storm; Part One: Alert” and Part Two: Perfect Storm”, 15 x 15 cm., oil on canvas, 2018. Perhaps the most immediate threat of annihilation of the planet and humanity is the threat of nuclear war and a serious nuclear accident. This work predicts a future where such threats becomes part of the weather and terror threat warning system. Colour code: yellow and black; the smoky grey background tells the rest of the story. This painting is part of a series of miniature abstract oil paintings made in 2018 — this series is about feigning indifference in a crazy and brutal world.

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“Memento Mori — Fama (Starry Night)” and “Memento Mori — Damnatio Memoriae”, 15 x 15 cm., oil on canvas, 2018: These two simple, if not “pseudo-naïvistic”, paintings are about the naive personal quests for fame after death, i.e to live forever through our children’s or others’ minds — by way of recorded fame in this lifetime and myths; and the opposite and more likely reality: of being dead forever/being forgotten. In “Fama” the subtitle “Starry Night” functions as a Hollywood star reference as well as is a commentary about Vincent Van Gogh’s failure to achieve notoriety and artistic recognition before after his physical death. His own personal “starry night” is rather a quiet internal burning and ember-like glow — without spectacle. For artists, authors and musicians this notoriety is often established and maintained by way of representation, archives and mention in museum collections, published books, recordings, Wikipedia, the internet, history books etc. However, with ever-developing technology and increasing limited space in libraries and museums these hopes of living forever are being thwarted. For others who try to establish themselves as television hit show stars, as bloggers and as reality stars the goal is perhaps even more unattainable. We cannot take worldly acclaim with us to the afterlife, but to ensure that we still maintain a presence in this world after we leave it physically has been a dream of many for ages. The looming question is: “What is the purpose of Life and achieving notoriety — do we live for the ‘now’, or forever?” Another important question is “Should all art be made with the intention of it living forever; what is the value of temporary, performance and disposable art?” And of course, “Memento Mori — Damnatio Memoriae” reminds us that — should we fail to achieve lasting fame — we will not only remain “still dead” but we will disappear … forever, and without a trace, save possibly a short-lived grave and tombstone. This painting is part of a series of miniature abstract oil paintings made in 2018 — this series is about feigning indifference in a crazy and brutal world.

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feckit
Ah, feck it!

 

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