Adam as author – Oso Para Vos

From the archives: Writer’s blues, Anno 1987.

Seated in a quiet corner in his favorite restaurant,

the barren-minded writer waits patiently

for a seizure of etymological inspiration.

It’s been days since he has eaten and

perhaps longer since he has really slept,

for the agony of non-expression is a

leech upon his every desire.

Unmoved by the sophistication of the truckers,

or the beauty of the waitresses and prostitutes;

and so untouched by the artistic vibrance

of the orange and red interior,

the turquoise diner seats, and the

Choking Victim posters adorning the walls,

the writer assimilates in undisturbed silence —

night after night —

until even he no longer hears the

occasional regular who leans close

to another, then points and says:

“You see that guy over there in the corner?

… He’s a WRITER!”

(from “Collected Poems and Stories”, Cyberwit Publishing, 2005.)

Great video on VEVO!

SHORT AUTHOR BIO:

ADAM DONALDSON POWELL (Norway) is a multilingual author, literary critic, and art photography critic; and a professional visual artist. He has published several literary books (including collections of poetry, short stories, and novellas, two science fiction novels, a biography, and a collection of essays) in the USA, Norway and India; as well as numerous works in international literary publications on several continents. He writes in English, Spanish, French and Norwegian. He has previously authored theatrical works performed onstage, and he has read his poetry at venues in New York City (USA), Oslo (Norway), Buenos Aires (Argentina), and Kathmandu (Nepal). His book “Gaytude” (co-authored with Albert Russo) won the 2009 National Indie Excellence Award in the category gay/lesbian non-fiction. Powell was also the winner of the Azsacra International Poetry Award in 2008, and the recipient of a Norwegian Foreign Ministry travel stipend for authors in 2005. Powell also took initiative to planning and organizing the “Words – one path to peace and understanding” international literary festival in Oslo, Norway in 2008. He has been an author under the Cyberwit label since 2005, and he has published 13 literary books since 1987.

BIBLIOGRAPHY:

Under the Shirttails of Albert Russo: an alternative biography, l’Aleph — Sweden, ISBN 978-91-7637-401-6, © Wisehouse 2017, Sweden.

Malerier og fotokunst, a short 38-page retrospective overview of some of Adam Donaldson Powell’s best known oil paintings and photographic art works”. Published by Cyberwit.net as a special limited and numbered full-color, soft cover edition (55 copies only), ISBN 978- 81-8253-154-3, India, © 2009.

GAYTUDE: a poetic journey around the world, co-authored together with Albert Russo 1[1], bilingual (French and English), gay poetry, 334 pages, Xlibris, ISBN 978-1-4363-6395-2, 2009, USA 6 [2].

2014: the life and adventures of an incarnated angel, 135 pages, Cyberwit.net, ISBN 978-81-8253-118-5, 2008, India.

Critical Essays, literary and photobook criticism by Adam Donaldson Powell and Dr. Santosh Kumar 2[3], 108 pages, Cyberwit.net, ISBN 978-81-8253-110-9, 2008, India.

Le Paradis (Paradise), 80 pages, Cyberwit.net, ISBN 978-81-8253-103-1, 2008, India. Inkluderer bilag med symboler fra Universelle Lysspråket, som opplevd av Laila Holand.

Rapture: endings of space and time (86 pages), Cyberwit,net, ISBN 978-81-8253-083-6, 2007, India.

Three-legged Waltz, (80 pages), Cyberwit.net, ISBN 81-8253-058-X, 2006, India.

Collected Poems and Stories, (175 pages), Cyberwit.net, ISBN 81-8253-028-8, 2005, India.

Arcana and other archetypes, (special limited edition – hardback collection of poetry), AIM Chapbooks ANS, 2001, Norway (now out-of-print).

Notes of a Madman, (hardback collection of poetry), Winston-Derek Publishers, Inc., 1987, ISBN 1-55523-054-7, USA (now out-of-print).

And here is a quick recap/overview of my published books. For more information, please see the next pages of this blog.

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MY AMAZON.COM AUTHOR PAGE: HERE!

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MY CYBERWIT.NET AUTHOR PAGE: HERE!

Dr. Santosh Kumar’s book on the poetry of Adam Donaldson Powell.

Read some excerpts from the book HERE!

ADAM DONALDSON POWELL – WIKIPEDIA NORGE

Is it really so dangerous to talk about your art and writing?

“It seems to me, that the modern painter cannot express his age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or any other past culture. Each age finds its own technique.” — Jackson Pollock

Reflections by Adam Donaldson Powell:

After having been told for decades to “never explain or discuss your art or writing” I am doing just that here on WordPress — this in order to share with others my thought processes, the philosophical questions behind my work, and the technical decisions thereof. That also enables me to do a bit of writing — combining poetic prose with small essays as texts accompanying my visual art. As with my writing, my art is always indifferent to currently popular trends of style but always socially relevant. It is not for everyone, as I intentionally aim to provoke thought on some level. And as we know, many resist deeper levels of thought (or thinking at all beyond superficial and personal needs and preoccupations). Is it still okay to just want to find sensual pleasure in a work of art, without being burdened by many questions and socio-political issues? Yes, of course. We all need a respite from time to time, but in my opinion, Art is always about possibilities — including diverse possible interpretations.

Another thing I now do is to preview the coming attractions on my main website. I do this to commit myself to an idea and its execution. Writing and making visual art are about constant decisionmaking, and while the final results are important, they are — in my opinion — mostly a compromise between various decisions made along the way. Understanding literature and art are thus more fully possible when one understands that ideas and expressions do not always come out of thin air, or merely by chance or through innate talent. An artist and a writer are like orchestra conductors, in that we are constantly conducting a huge symphony which consists of many voices, sounds, and ideas. This pertains to even the shortest forms of literature (haiku) and art (minimalism). But do not be deceived; the simplest expressions of literature and art require the most precision and talent. As with music, all sections of a literary or visual composition must be executed with equal mastery. One section cannot seem effortless while others feel belabored. Thus many writers and artists appreciate criticism most from “their literary and artistic colleagues”. They understand more of the total process involved and most likely dare to pose relevant questions and criticisms of interest and help to the writer or artist. For me, exploring the vast area between photorealism and abstraction gives me the most pleasure. The possible degrees of semi-realism are endless. Such expression is provocative because it forces us to step outside of how we think others see us and how we wish to be seen — beyond any photographic moment that is frozen in Time, and more into the psychological aspects of our Being. There are relevant parallels in literature, eg. stream of consciousness writing in novels, various technical diversions in poetry designed to function as asides, or even just to jolt the Reader into another possible reality, etc. And then it is no longer a bad thing to talk about one’s writing process or ideas because the total process is by definition still mysterious and indescribable. But like most modern art museums, just a hint of background information can be the ticket other Thinkers need in order to accompany you on their brief journey into our own Mind and Art.

Adam Donaldson Powell — Author, Essayist and Literary Critic

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My two latest published books:

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SHORT AUTHOR BIO:

GREAT QUOTE:

“There are some people who feel that fiction should be easy to read, that it’s a popular medium that should communicate on a somewhat conversational wavelength. On the other hand, there are those who feel that fiction can be challenging … that it’s okay if a person needs to work a bit while reading …

“Much in the way that would-be civilized debates are polarized by extreme thinkers on either side, this debate has been made to seem like an either/or proposition, that the world has room for only one kind of fiction, and that the other kind should be banned …

“But while the polarizers have been going at it, there has existed a silent legion of readers, perhaps the majority of readers of literary fiction, who don’t mind a little of both.”
— Dave Eggers, foreword to David Foster Wallace, Infinite Jest