Oso Para Vos

Multilingual blog 4 creative minds & mature audiences ๐Ÿ‡บ๐Ÿ‡ธ๐Ÿ‡ณ๐Ÿ‡ด๐Ÿ‡ช๐Ÿ‡ธ๐Ÿ‡ซ๐Ÿ‡ท๐Ÿ‡ฎ๐Ÿ‡น๐Ÿ‡ง๐Ÿ‡ท

Photo booth

Painting: Oil on canvas. “Photo booth”, 90 x 65 cm., oil on canvas is about the “old-style” selfie-taking … sitting in a photo booth and being photographed three times. I have attempted to duplicate the feeling of taking photos in a booth — all the same, yet slightly different — in order to capture the spontaneity, subjectivity and self-appraisal of The Moment. I also wanted to play with “graphics” in a painterly and semi-realistic way that explores the nakedNess of the experience of being trapped in a box, with little room or time to vary sitting position and expression.

THE DEVIL.

Beware.
The dark one
Lurks not in
The shadows,
And not amongst
Your friends
Or enemies.
Beware, for
His evil lies
Within you,
And eagerly
Awaits release
By descendents
Of Pandora.
Beware of
The road to
Inertia and ruin,
So carelessly
Littered with
Temptation and
Obsession.
Beware.
The self-centered
And worshippers
Of false splendor
Can expect
Little more than
Disappointment.
Yes. Beware
Of darkness ..
And beware
Of mirrors โ€ฆ
But most of all
Beware
Of the devil
That you are.

(Copyright Adam Donaldson Powell, excerpted from “The Magical Tarot”, “Collected poems and stories”, 2005.)

EL DIABLO.

Ojo.
El Oscuro
no reside en las sombras,
ni entre tus amigos
o enemigos.
Ojo.
Sus mentiras malvadas
cerca de ti,
ansiosas
esperan a ser liberadas
por los descendientes de
Pandora.
Ojo.
Con no caer en el
camino hacia la inercia
y la ruindad,
O a ser atacado brutalmente
por la tentaciรณn y la
obsesiรณn.
Ojo.
Los egoรญstas
y los adoradores
de falsos esplendores
pueden esperar
poco mรกs que
decepciones.
Sรญ, hay que tener ojo
ante la oscuridad …
Y ojo con los
espejos …
Pero mรกs que nada
Ojo
Con el demonio
que eres tรบ.

(Copyright Adam Donaldson Powell, “Three-legged Waltz”, 2006, trad. de Marรญa Cristina Azcona, Argentina)

ยซBreaking throughยป, oil on canvas, 50 x 50 cm., 2021.

โ€œBreaking throughโ€, oil on canvas, 50 x 50 cm., 2021, is a black-and-white minimalistic self-portrait about breaking through the barrier of White Supremacy. The white barrier seems impenetrable and all-consuming, and the only ticket is convincing Supremacists that non-Whites are enough like them to warrant acceptance. But acceptance is neither a given, nor guaranteed to last. Like with immigrants in a new country, being accepted as โ€œone of usโ€ is a constant battle โ€” often stretching over several generations. Non-Whites will never be Caucasian, no matter how much we try to pass as white. Thus, Non-Whites must learn โ€œgraynessโ€, as bleaching our skin and talking like a native does not remove oneโ€™s Blackness, Latino-ish, or Asian-ish. Therefore the self-portrait is in gray tones. But when breaking through we must carry our Blackness with us, and thus we must also break through the stereotypes and xenophobia used against us. 

This is a two-sided painting. The back side shows the back of my head:

ยซThe back side of it allยป, 50 x 50 cm., oil on canvas.

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