Sudden death

With self-portraits of me facing death, by Adam Donaldson Powell

“Choosing a COVID-19 Vaccine — The Three Prisoner Problem”, oil on canvas, 50 x 50 cm., 2021.
«Secundo fluctus» (Second Wave), 60 x 50 cm., oil on canvas, 2020. The theme of this self-portrait is the impossible dream that is never finally achieved — no matter how much success we or others may think we have achieved, the dissatisfaction is always there. That has been the plight of most artists throughout human history; and it is no less today — for artists, and for non-artists. The tremendous Saturn-influence enveloping us at this time insists upon the renewal of our dreams, our motives, our ways of seeing, acting, living … imposing a heavy reality check upon us all. It is not all negative from an overall perspective, but it takes a higher degree of ingenuity, creativity, and persistence in order to create the much-needed and long-overdue New Consciousness. This dark expressionist self-portrait entitled “Second Wave”, provides a subjective inside-looking-out acknowledgment of the present experience. The intention is to document the thick muddy gelé of fear + careful hopefulness that we are all enduring in this Winter of darkness. The observant viewer will note that the face is itself a mask, as is the masking Darkness.
“La mort rappelle une vie passée”, 60 x 80 cm., huile sur toile, 2020.
“The unraveling”, oil on canvas, 40 x 40 cm., 2021

Okay. We now know that there are at least fifty ways to leave a lover, and perhaps even more ways to die. But is it best to live with dying over a long period of time or to die abruptly and without warning? Does it matter? And what is the value and compassion in death being dragged out? I have cheated Death several times, in both variants: coming in quickly, and with a longer time perspective. Those times where adjustment and acceptance have been the most difficult have been those where there were varying degrees of possibility explained by science (but in reality it was chance or luck that was the wild card to bet on and hope for). The constancy of the existential question mark puts all responsibility squarely on the shoulders of the patient: “Do I really want to go through this stress, or should I throw in the towel and save myself and others from the fear and misery?” Sometimes I wonder: “Is it sometimes best to not know, or can a fighting spirit always beat the odds?” Is there really any status in how or of what one dies? Be Death really “not proud”?!!

“Flying”, oil on canvas, 50 x 50 cm., 2021.
«Eternal Sleep — Mors Vincit Omnia», oil on canvas, 80 x 60 cm., 2021.
“Threesome — Me, Myself, and I”, oil on canvas, 50 x 50 cm., 2021.

Other artists who have portrayed themselves facing death:

Jean-Michel Basquiat 

  • Work: “Riding with Death” (c. 1988). 
  • Context: This painting, completed shortly before Basquiat’s death from a heroin overdose, is interpreted by art critics as a confession or realization of the destructive habits that were taking a toll on his life. 

Pablo Picasso 

https://www.artchive.com/artwork/self-portrait-facing-death-pablo-picasso-1972

  • Work: “Self-Portrait Facing Death” (c. 1972). 
  • Context: This drawing was one of his last works, completed in the months leading up to his death. His friend noted that the drawing’s expression of fear was a deliberate “contrivance,” suggesting an intentional engagement with his own mortality. 

Arnold Böcklin

  • Work:  “Self-Portrait with Death playing the fiddle” (1872). 
  • Context: In this painting, Böcklin depicts himself in a self-portrait where he is confronted by a skeletal figure of Death. This work reflects Böcklin’s fascination with death and his attempts to process personal loss and fear through his art. 

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